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Distance to schools is as the crow flies and is provided as an estimate only.
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We were very polite to Gillies MacKinnon, the director, and to his camera and sound people; we admired all the actors and told them they were just the part. Eventually they realised we were just ageing groupies, loving everything and therefore no trouble.
HOME, SLEEP OUT, NATIVE BUSH & STREAM
And they sensed that Gordon and I were dying for little walk-on parts. So it was arranged that we were going to play Martini drinkers in Colm's restaurant.
I wish I could tell you how excited we were. We went to bed early the night before, because the limo came for us at 7am. Then we went to make-up. We didn't have to go to costume, because they asked us to wear anything of our own that was not black or navy. For some reason now forgotten, I wore lilac.
Then it was time for our scene. We would be sitting on high chairs at the bar in Colm's restaurant. Stephen Rea was to serve us with two triangular Martini glasses, each with an olive in it. We were to say nothing aloud but to mouth thank-you words at him. I felt we had been up for hours. He said he wouldn't hold his breath about its being a real Martini, but I am an eternal optimist.
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I said we should look at the way there was condensation on the glass; they wouldn't have gone to all that trouble to chill a glass of water. I ate the olive resentfully. Each time during the three takes. Then the camera moves inexplicably from us to the stars. But we are there. You wouldn't want to blink or look down to choose a sweet or anything, or you would miss us, but we are part of it. In the last cut I saw of the film we are still there, sipping delicately, mouthing our thanks and, in my case, wondering why on earth I wore lilac, which is the most enlarging colour in the spectrum.
It's a terrific, moving and touching film. We have all had losses in our lives, we have all loved foolishly and been lonely. The film tells very clearly, as the book tried to do, that the solution is in our own hands, that we have to make ourselves better. There is no cavalry waiting on a cliff to rescue us. We have to do it for ourselves.
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Marilyn and Ria do that on the screen as much as they did in the book, played by two wonderful actors who, with the rest of my cast, told this story as well as I could have hoped and better. I was lonely when the film crew packed up and went away, as they do. But at least we have the book, and the movie is out there to be seen as well.
Best of the Book Nook: Tara Road, by Maeve Binchy
egeguzefolad.cf | Form and Entries for Horse Tara Road (GB)
Film Executive. Foreign Publisher. Literary Agent.